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‘Breakfast at Tiffany’s’ (1961)

Dbreakfast at Tiffany's (1961) Has anyone ever appraised this films as anything but a sunny Audrey Hepburn vehicle? It’s one hour and 55 minutes of dissonance. Audrey Hepburn and George Peppard play two characters who are, by all appearances middle class yuppies living in Manhattan during the early ’60s. But this would be a mistake.

In the eponymous Truman Capote novella it is clear that Holly is a high-end call girl and Paul a gigolo. Blake Edwards’ film supresses the gauche details by making Peppard and Hepburn squeaky clean.

The juxtaposition between who these two characters appear to be and how they earn their money percolates in and out of focus as the story proceeds: [Read more →]

To Have and Have Not (1944)

Though this film bears the same title as Ernest Hemingway’s 1937  novel of the same name, it bears few similarities to its source material. I won’t fake any Hemingway scholarship here, only make a few observations:

The screenplay is written by Jules Furthman and William Faulkner, which feels like a bit of a tragedy, given that THaHN feels like most insipid kind of corporate, commercial film making. More on that later. Directed by Howard Hawks, it doesn’t seem to have a tonal center, as the noir elements don’t pay off.

Shot in 1944, while WWII was still raging and 2 years after  Casablanca (1942). THaHN is both an odd sort of  mirror and deconstruction of former. Bacall’s character, Marie ‘Slim’ Browning is definitely a person that you’d want to keep in front of you at all times. [Read more →]